Tradition is not the worship of ashes, but the preservation of fire.—Gustav Mahler

Tuesday, February 22, 2005

Living New Journalist on Dead New Journalist

Accounts of Hunter S. Thompson's demise sometimes mention that he was a practitioner of The New Journalism, a style in which the author involves himself in the story and may even appear as a character. Tom Wolfe was part of that camp as well, but with a different style than Thompson. When Wolfe appeared in his own work it was very unobtrusive, whereas Thompson regularly gave himself a key role.

When I heard Thompson had killed himself, I instantly wondered what Tom Wolfe thought about it. Opinion Journal obliges. Here's a bit:

We were walking along West 46th Street toward a restaurant, The Brazilian Coffee House, when we passed Goldberg Marine Supply. Hunter stopped, ducked into the store and emerged holding a tiny brown paper bag. A sixth sense, probably activated by the alarming eyes and the six-inch rise and fall of his Adam's apple, told me not to ask what was inside. In the restaurant he kept it on top of the table as we ate. Finally, the fool in me became so curious, he had to go and ask, "What's in the bag, Hunter?"

"I've got something in there that would clear out this restaurant in 20 seconds," said Hunter. He began opening the bag. His eyes had rheostated up to 300 watts. "No, never mind," I said. "I believe you! Show me later!" From the bag he produced what looked like a small travel-size can of shaving foam, uncapped the top and pressed down on it. There ensued the most violently brain-piercing sound I had ever heard. It didn't clear out The Brazilian Coffee House. It froze it. The place became so quiet, you could hear an old-fashioned timer clock ticking in the kitchen. Chunks of churasco gaucho remained impaled on forks in mid-air. A bartender mixing a sidecar became a statue holding a shaker with both hands just below his chin. Hunter was slipping the little can back into the paper bag. It was a marine distress signaling device, audible for 20 miles over water.

Thompson was determined to live out his life in huge gestures. He reminds me of Hemingway in that sense. Once the body deteriorated and the novelty of hitting all the extreme notes wore off, he just tripped a trigger and ended the game. I've always suspected Wolfe's relative sanguinity and personal peace have something to do with closet Christianity.

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