Chada's version of the story will include some cross-cultural conflicts based in the central romance of a young Indian woman named Lalita and an American Darcy.
I'm greatly looking forward to seeing what Chadha will do with the story, and I found one quote from her in the Reuters article fascinating:
"'What's incredible about this is that even though Jane Austen was writing 200-odd years ago, she was writing at a time when women were not considered whole unless they were married,' the Kenyan-born, British-raised Chadha said in an interview before the film's U.S. debut.
"'That is still very relevant to many places around the world, and particularly small town India,' she said."
What I find interesting about Chada's comment is that she sees this attitude as so odd and antiquated. Perhaps a reason she sees it so strange is that she limits it to the female perspective. For I should say that neither a man nor a woman is complete without being married.
That is a very controversial thing to claim in these times, I understand, but it seems to me that history and art make it clear that it has been true for the overwhelming majority of people throughout human history.
To be incomplete, after all, simply means to be imperfect. Is Chada suggesting that all women are perfect before marriage? One would hardly think so, if only based on the evidence in Bend It Like Beckham.
It is quite silly, actually, to try to hide from the notion that one is incomplete. Surely, there is no unique shame in acknowledging one's imperfection. Quite the contrary, in fact.
There is a great glory in acknowleding one's incompleteness. Admitting our imperfections is the thing that makes it possible for us to become better, especially through the acceptance of the continuous love of another person. (The refusal to admit one's imperfections is, in fact, what makes so many people unlovable. They refuse to be loved because they cannot bear to be seen as incomplete, as imperfect.) In addition, another person's incompleteness makes it possible for us to do them the great good of improving their lot in life by loving them in return.
It is this, after all, that the young lovers in Austen's novels seek, and which, to be honest, nearly all human beings desire. To view that beautiful, fine impulse as an unnecessary cultural flaw seems to me an utterly tragic and horrible choice.