Monday, July 24, 2006
Mike Love was given co-songwriting credit on numerous songs by the Beach Boys, almost always in collaboration with Brian, who contributed all the musical composition in those efforts. Take a look at the credits on the CDs, and you'll see that this is true. It is certainly possible that Mike Love may have contributed to some songs without receiving credit, though even if that did happen, it would have been the fault of the group's manager, Murry Wilson, who was the (abusive) father of Brian, Dennis, and Carl Wilson and uncle of Mike Love. No one in the band was able to stand up to Murry until around 1967 or so.
That said, I am extremely skeptical of Love's claim that he deserves even more credit for the group's songs. (I have read several books about the band's history, FYI, and seen the many documentaries about the band as well.) Van Dyke Parks, who wrote the lyrics for SMiLE, received credit for his contributions, as did Gary Usher and Roger Christian, who wrote lyrics for many of the band's songs through 1966, and Tony Asher, who wrote nearly all the lyrics for the Beach Boy's gorgeous Pet Sounds album. If Mike Love contributed to more songs than he received credit for, why were these outside writers properly credited and Love, a full-fledged member of the band, not? That doesn't make sense.
My assessment is that Mike Love is trying to take greater credit than he deserves. Brian has refused to fight him on this, consenting to let Love receive the credit—and money—he is seeking. Brian is an entirely nonconfrontational person, and it is clear to me that he would rather give his cousin the money and undeserved credit rather than fight him for it.
Of course, Mike Love should get whatever credit he has earned for any songs to which he may have contributed, but it is not at all true that he was vital to the band's success. It was drummer Dennis Wilson who was the surfer and contributed the surfing terms for the early songs, and Brian could easily have done without Love's lyrics entirely, using other talented lyric writers instead of his cousin, as he did when his musical concepts finally progressed too far beyond what Love was capable of writing about, specifically with Pet Sounds.
This is important because the Beach Boys are an important part of our cultural history, and credit (and blame) for the band's works should be allocated correctly. Mike Love's lyric writing ability has always been decidedly pedestrian and grossly inferior to that of the other lyric writers Brian worked with. Love was a barely competent singer with an unattractive, nasal voice, little range, and an astonishingly limited ability to convey emotion. In sum, he was extremely fortunate to be able to ride the coattails of his musical genius cousin, Brian.
None of this, of course, is meant to criticize Mike Love as a person. From what I have read about him, he has been a fairly decent person in most ways, although he has had his pecadilloes as have we all. In addition, I would never disparage the Beach Boys' early lyrics or Mike Love's part in the band, but without Brian, the Beach Boys would have been less important than the Hondells and Jan and Dean. Without Mike Love, they would still have been the Beach Boys.
During the dog days of summer, all real Americans enjoy a bit of a pep-up by listening to the Beach Boys, the nation's great rock and roll band. The Beach Boys have definitely been through their ups and downs, but many of their songs have entered the pop culture pantheon, and have well earned the accolades. Led by primary songwriter, producer, and arranger Brian Wilson, the Beach Boys synthesized rock and roll, early American music, folk, and other influences into a sound all their own, as Wilson's great genius for melody, harmony, and counterpoint made lyrically simple songs such as "California Girls," "God Only Knows," and "Good Vibrations" into works of stunning beauty that were easy to understand and enjoy.In the mid-1960s, however, Brian had a nervous breakdown, while he was hard at work on what he intended as his true masterwork, SMiLE. With lyrics by the undeniably talented hippie wordsmith/songwriter Van Dyke Parks, the album was to be, in Brian's words, "a teenage symphony to God." After Brian's breakdown, however, work on the album stopped, even though it had been nearly finished, and the group released the rather disorganized and puzzling replacement Smiley Smile and moved on.
Tantalizing pieces from the original SMiLE lineup, however, appeared occasionally on the band's subsequent albums, making the unreleased album a great legend of lost popular art: an album of songs such as "Heroes and Villains," "Good Vibrations," "Cabin-Essence," "Vegetables," "Our Prayer," and "Cool, Cool Water" would have to be an astonishing thing, the group's fans supposed.
But it was almost forty years before we got to hear it—in 2004 in a version credited to Brian Wilson and performed by him and his current-day touring band. And it really was great, as I stated in my review of the recording for Tech Central Station.
Still, I couldn't help but wonder what the album would have sounded like as performed by the Beach Boys in their prime, with Brian's youthful voice—his voice has coarsened over the years because of tobacco use, drug abuse, etc.—and with the vocal performances by the orignal band. The group, after all, had sung together since childhood, and was composed of three brothers, one cousin, and a longtime friend, and as a result their voices blended together beautifully. Given the tremendous vocal harmonies and counterpoints Brian had created for SMiLE, and the fact that some of the songs were originally written to be sung by Brian's now-deceased brothers Carl and Dennis, it was interesting to conjecture how the album would have sounded with their contributions.We can't hear an entire performance of SMiLE by the Beach Boys, but ITunes has created the next best thing: a playlist of the Beach Boys' performances of SMiLE that have been released on the band's albums over the years. Several songs were released as tracks on the original vinyl albums in the late 1960s and early 1970s, and quite a few more were released on the various remasters and reissues during the past few years, and also on the superb Good Vibrations: Thirty Years of the Beach Boys boxed set. (The latter, by the way, is a must-have recording.)
For more on this interesting musical artifact, see the full article on Karnick on Culture.
Saturday, July 22, 2006
So let's get to that part first.
As Alan Dershowitz reminded us the other day, you hide behind a civilian while you're shooting up the place and the civilian gets killed in the return fire, it's you who hold the moral (and legal) responsibility. Your intended victims have the right to shoot back---in the real world, self-preservation is always justified. (In fact, a fellow named Beccaria inveighed against capital punishment because even a justly condemned man has the right to fight for his life. An elegant argument, that.)
Theories of "just war" have been thrown around, too. Hizbollah has not a prayer of defeating Israel. Therefore, according to Just War Theory, Hizbollah has initiated an unjust war. The news coverage by the Arab media and the US press has highlighted the misery of Lebanese civilians, but war cannot be fought without mistakes or even criminal acts by the warriors, even the "good guys." Such is the nature of war, and of human beings.
But it was Hizbollah who loosed these remorseless dogs of war, and let's be clear, this is war. Ten thousand rockets pointed at Israel's civilian population make it so. The moral and legal responsibility is Hizbollah's.
That is (or should be) the easy part. However, the water gets deeper in a hurry.
It was Ward Churchill who opened a Pandora's Box that none of us really want to peer into. People are going to die. Civilians are going to die. The question is who, and whose.
A difficult moral case arises when a civilian population lets murderers operate freely in their midst. In Lebanon, Hizbollah has public offices, holds marches to cheering crowds, and certainly didn't move thousands of missiles to the Israel border without anyone noticing. And if Lebanese choose to live in apartments above Hizbollah headquarters, that's hardly Israel's fault either.
The fact is, Hizbollah is quite popular in southern Lebanon and nobody lifted a finger to stop them taking over for all practical purposes.
If there's a sniper in my neighbor's window killing my family, I'm taking him out even if I have to blow up the place, unless the sniper took the occupants hostage, which, for the sake of this illustration, is not the case in southern Lebanon. The "innocent civilians" there watched Hizbollah bring in 10,000 rockets with which to murder the Israeli civilian population. To maintain otherwise is naïve or disingenuous.
"They're Israel's problem," they must have thought. Guess again. They're yours. That's how it works in the real world. If it's my family or yours that is to die, sorry, you're out of luck, because you let the murderers in your front door.
Lebanon's civilian population brought this on themselves, and are morally complicit (indeed many are members of Hizbollah themselves, another inconvenient truth).
If Hizbollah starts launching rockets at Israel, and they have, Lebanon takes the consequences (and Israel has been good enough to drop leaflets warning of impending attacks, which of course the Hizbollah murderers do not).
I should be past being appalled at the moral cowardice of some of the more Enlightened folk in the West, who can only work up a decent indignation for Israel failing to meet the highest of standards and barely a word for the bad guys who have no standards at all. On the scale of moral outrage, Hizbollah is a 9, Israel a 2. Talk about "disproportionate."
I am past being surprised, but not yet jaded enough to be past being appalled.
There is also a confused moral calculus that somehow Israel's civilian casualties should be somewhat "proportionate" to Lebanon's. Utter rubbish.
The civilian deaths at Hiroshima were a great human tragedy, but not one fresh-faced Iowa GI was morally required to give his life to avert it, nor was President Truman obliged to sacrifice his own people. (Ironically, there are fresh-faced Iowa GIs voluntarily risking and giving their lives at this very moment to protect the lives of civilian Iraqis from Hizbollah's murderous cousins.) Perhaps Japan's individual civilians were in a sense blameless, but not as blameless as the Iowa GI.
The Japanese warlords, and Hizbollah, brought it on. The people of Japan and Lebanon let it happen.
Not one Israeli child should be asked to die at Hizbollah's hands. And for those who sit back and moralize in the comfort of a peaceful country, expecting those in mortally besieged ones to let their children die for your tut-tut morality, well, imagine a sniper just shot some of your children dead from next door. He has unlimited ammunition and is targeting more of them.
No, I don't think you are able to imagine that. It's far too real.
Friday, July 21, 2006
The Walt Disney Company is returning to its roots as a purveyor of family-oriented entertainment, World Net Daily reports:
From Karnick on Culture.
Famed family-film maker Disney is headed back to its roots, with confirmation yesterday of cuts of 650 employees that will include a phase-out of its R-rated movies.
Oren Aviv, newly appointed president of production at Walt Disney Pictures, told the Hollywood Reporter that the company's coming productions will be along the lines of "Pirates of the Caribbean," "Chronicles of Narnia," "National Treasure" and "Miracle."
"If it's a great idea and it's done with quality and care, then it qualifies to be a Disney movie," he told the newspaper.
The studio, which founded its greatness on the classics for families and children, had branched out in the 1990s to grasp R-rated projects with its Touchstone and Miramax labels. Touchstone was created to deal with more mature themes, and is expected to remain but be significantly smaller, generating only two or three films a year. Miramax handles independent and art-house films and now operates separately from Disney. . . .
Now, Aviv told the Reporter, he will see to it that what the company brings to its audience is something the whole family can enjoy.
"That to us has always defined a Disney movie, and that definitely hasn't changed," he said.
The relationship between religious believers and Hollywood has always been a tense thing, and it has reached a height of openly hostility in the past dozen years or so. In this conflict, both sides are to blame, I note in "Battling Babylon," my article on movies and believers in a recent issue of The Weekly Standard, but it is incumbent upon people of faith to make the first move.
Religious people, I note, too often “tend to count up the number of images they don't like in a film while failing to see the real meaning of the stories. ‘Sometimes,’ another writer [in the anthology under review] observes, ‘it will serve the Truth to have the bad guys get away with murder.’ After all, Scripture itself depicts numerous horrible actions. The events depicted in a film are not all-important; what counts is what they mean.”
Before complaining about movies, people really must to try to understand them: “Christians should become more attuned to the real, often subtle, meanings behind various works of art and should be far quicker to praise the persons responsible for these good works. In that regard, Christian media critics can be immensely valuable—and to increase their influence, they should make every effort to push themselves into mainstream media outlets.”
You can read the full article in the July 3/July 10 edition of the magazine or online here.
From Karnick on Culture.
What I have not seen widely reported (aside from some great work by KJ Lopez at NRO), and what I find much more revealing, is that on the same day the Senate passed the measure they already knew was doomed, they also passed an alternative bill sponsored by Rick Santorum that provided funding for adult and cord blood stem cell research -- and that the House derailed this effort at the eleventh hour at the behest of Mike Castle, R-DE. How long will ESCR supporters be able to deny potentially life-saving treatments before Nancy Reagan understands that she's backing the wrong horse, so to speak?
Here's the dirty little secret of the stem cell controversy: the researchers who want to investigate the properties of embryonic stem cells are not interested in them because of their therapeutic potential. They are interested in embryonic stem cells because they are curious about basic questions of cellular biology, which have no immediate applicability to human health.
Now these researchers would certainly not be the first to overplay the practical potential of the lab work they want the federal government to pay for. That's the way the grant game is played, I've played it myself, and I'm not holding researchers in any particular low esteem because they're playing it now. But where is the skeptical watchdog press here? In any other instance the shouts of Cui bono? would be deafening.
The supporters of ESCR can try to make a case that it's the federal government's job to subsidize this curiosity; it's not an argument I will ever buy, because the destruction of innocent human life is per se wrong in my world view, and no utilitarian calculus can ever justify it. But let's stop parading the paraplegics and Parkinson's patients for the cameras, shall we? It's dishonest, and it's cruel.
Hunter mentioned that he and I have been discussing a change in my blogging, too. As longtime readers of TRC will know, my greatest interest as a writer has always been in cultural analysis, and my duties at the Reform Club have all too often taken me away from that. In recent days I have returned to my pop culture roots in my posts on this site, and I have begun the process of setting up Karnick on Culture, a website and blog composed purely of my writings on popular culture.
I believe that there is real value in someone outside the main stream of cultural analysis offering criticism of the culture that is sympathetic to popular culture in general—that is to say, who is not a snob—but not enslaved to either a delight in or hatred of monetary power and the current celebrity cult, both of which are the common positions among writers on popular culture today. Such good-natured analysis is what I will be doing at Karnick on Culture, and I invite you to visit it often at http://www.stkarnick.com, which is now in full operation.
Hunter and I are now giving the leadership reins of the Reform Club over to the highly capable hands of Tom Van Dyke. Like Hunter, I will still be cross-posting items at The Reform Club—as long as Tom wants me to. There are some truly exciting changes coming to this site, which will make it more provocative, useful, and enlightening than ever. Hunter and I will still be around, but we'll each be sticking to the subject matter we enjoy most. In addition, some new writers will be coming on, and their contributions will move the discussions in new directions that regularly confront daily issues with the kind of thoughtful, more magazine-like analysis not found on other blogs. We all believe that these changes will make the Reform Club better than ever.
Please continue to visit us regularly, let us know what you think of the changes, and visit Hunter and me at our new homes.
Thanks to my co-bloggers Sam, Tom, Kathy, Alan, Ben, Jay, Herb London, and "Michael Simpson."
I'm never going to forget listening to Rush talk about Alan for twenty minutes of million dollar airtime. Mind you, it wasn't for a Reform Club post, but I still felt privileged. Alan continues to have his townhall.com blowtorch.
Kathy had a period several months ago where I thought she was blogging as well as anyone in the game. I couldn't wait to see what she did next. She's been in semi-retirement lately, but maybe she'll reclaim some of the real estate I'm vacating.
Jay came to us after bowling me over with some of the coolest election commentary I've ever seen back in 2004. He also provided an extremely interesting Jewish perspective on the whole Darwin/I.D. question. In fact, he joined the blog via comment box writing on that very topic.
Tom got us mentioned in Newsweek's Blog Watch. Never mind that he was opposing me in my merciless campaign against the Harriet Mier's nomination! We brought Tom in after bravo performance in the comment room. Confidentially, I think he writes the most provocative posts of any of us.
At least one of Ben's accounts of international conferencing with the tragically hip crowd deserves to be anthologized somewhere. Tom Wolfe is calling!
Herb London looks more and more prescient as things in the Middle East continue their spiral into some sort of eschatological scenario.
S.T. Karnick is finally threatening to do more of the work that caused me to repeatedly acknowledge him as "the greatest living film (and television) critic in the English language (TM)." Look for him to break out in the pop culture area in 2006-2007.
And Michael Simpson, we barely know ye, but you are clearly a shrewd analyst of what lurks behind the ivy and what lives in the ivory towers.
I'll be back, but not so often in print here at the Club.
Thursday, July 20, 2006
The use of that term shows a monstrous ignorance of both Christianity and Islam, and it exposes its user as a vile slanderer and a contemptible coward.
When I wish to condemn someone, you see, I say it directly.
The addict sees himself as a person who is ill, like someone with pneumonia, whom it is the duty of the “system” — the paraphernalia of doctors, nurses, social workers, drug counsellors and so forth — to cure. Until such time as the system fulfils its duty, the addict can continue in his habit, secure in the knowledge that he is not to blame, but the system that has failed to cure him. . . .
[I]n so far as there is a causative connection between addiction and criminality, it is that criminality — or whatever predisposes people to it — causes addiction and not addiction that causes criminality. . . .
It is not true that heroin addicts take a couple of doses and then find themselves enslaved. On the contrary, addicts usually spend a year or so taking heroin intermittently before they decide to take it regularly. It would be truer to say that they hook heroin, than that (as they usually put it, in order to deny their own responsibility) they are hooked by heroin. It is simply implausible to suggest that addicts become addicted by inadvertence or ignorance: the vast majority of the addicted come from backgrounds in which ignorance of history and arithmetic is perfectly possible, but not ignorance of the heroin way of life.
Is any great harm done by pretending that opiate addiction is a disease like any other? After all, a portion of mankind will always resort to mind- altering drugs to obscure the existential problems that confront us all. Certainly methadone when prescribed carelessly — as it is in Britain — is a dangerous drug, and can cause nearly as many deaths as heroin itself.
There is a more intangible harm, however, to the pretence: the existence of drug clinics sends a message to addicts that they are ill and in need of treatment rather than they have chosen a disastrous path in life. It conceals from people their responsibility for their own lives, a responsibility we all find irksome at times, but acceptance of which is the only basis of a meaningful life.
Daniels is not arguing that we should feel no sympathy for addicts. On the contrary, he is pointing out that the way to reduce addiction and its horrible consequences for users, their friends and familes, and society in general, is to recognize that drug use is ever and always a choice. That is a change in attitudes we should certainly strive to create. Daniels' article includes additional counterarguments against the current thinking regarding drug addiction, and you should read it in its entirety in order to understand his argument fully.
Please favor me with a definition and tie it to me since I am the one so labeled.
I thank you in advance.
According to the National Center on Education Statistics, average tuition in the US for four year, public universities was $5,038. (Private 4-year schools ran $17,777 and 2-year public schools ran $1,847). Some states are a good bit more expensive - Massachussetts is over $7,000, while New Hampshire is over $8,000 a year - but some are much lower, too: Georgia is less than $4,000 a year, Florida around $2,600, etc. (Note that I don't include room and board in the "costs", since whatever you're doing, you'll have to have a place to live and pay for food - it's silly to count that in with the "cost" of college). But to say that students can't afford those costs for a college education just isn't true. Even if you're a student with no help from parents or others, you can get yourself through college (even if you have to maybe take a couple of extra years to do it).
None of this is meant to defend universities per se, but merely to suggest that there just isn't an affordability "crisis" in American higher education.
Tuesday, July 18, 2006
Spillane's books were definitely not intellectuals' favorites, but they had much good in them. The stories in the best of his novels are taut, plausible though melodramatic, and involving. His prose was much better than critics gave him credit for—what they claimed to like in Hemingway and James M. Cain, they despised in Spillane. His characterizations were largely just functional, not the kind of morally ambiguous kinds the critics have preferred since World War II. But the characters did spring to life on the page, and the carried the stories well. The stories were what fascinated readers, and Spillane was a born storyteller.
Critics hated him, as is well known. He was unabashedly conservative in the pre-Reagan era when political conservatism was socially and culturally anathema. His books told stories in which the hero was a real hero and the villains were real villains. Nonetheless, it is not true that Spillane divided the world strictly into black and white, good and evil. The backgrounds of his books, including the subsidiary characters, suggest that behind the central conflict there exists a world of basically unheroic people just trying to muddle through life. And there is nothing to suggest that Spillane did not see the moral ambiguity of Mike Hammer's methods. Hammer was a rough guy, the postwar equivalent of Carroll John Daly's detectives such as Race Williams and Satan Hall. In Spillane's books it was perfectly clear that Mike Hammer did things conventional heroes would never have considered. But Spillane was all about results, and if you're on the right side, the right thing to do is whatever will get the job done. Sometimes, Spillane recognizes, the situation is so dire that moral niceties are not an option. That notion certainly resonated with Cold War U.S. audiences.
Mickey Spillane didn't care what critics thought, and he was right not to care. He was a storyteller, and a fine one indeed.
Monday, July 17, 2006
So, OK. Our own Dr. Ben Zycher of the Cato Institute notes below that Democratic Party chairman Howard Dean invoked former US president Bill Clinton's "moral authority" on the current state of world affairs.
You could look it up. Or, wait, let's save you the trouble:
“If you think what's going on in the Middle East today would be going on if the Democrats were in control, it wouldn't, because we would have worked day after day after day to make sure we didn't get where we are today. We would have had the moral authority that Bill Clinton had when he brought together the Northern Irish and the IRA, when he brought together the Israelis and the Palestinians.”
Bill Clinton, whose amateurish Secretary of State Madeleine Albright (stupidly, and falsely) confessed to all the world to killing a half-million innocent Iraqi women and children in the interest of "containment"?
Lesley Stahl: We have heard that half a million children have died [in Iraq]. I mean, that’s more children than died in Hiroshima. And you know, is the price worth it?"
Albright: I think this is a very hard choice, but the price---we think the price is worth it.
Now, to be fair, the actual figure, according to Reason Magazine's Matt Welch, was probably only in the tens of thousands, or, in other words, somewhat less than the number of innocents lost as "collateral damage" in Mr. Bush's War, which at least has provided a puncher's chance of self-determination and the end of systematized exterminations among the Iraqi people.
Otherwise, if you want to believe that only the creative, brilliant and angelic Bill Clinton created peace in Northern Ireland instead of its people dictating peace because it was sick of war, all I can point to is the Israel-Palestinian question, where Clinton, somewhat to his credit, at the close of his second term got the then-current left-wing government of Israel to offer the closest thing to total Israeli acquiescence to Palestinian demands that was ever likely to be offered.
The Palestinians made no counteroffer. Unlike the people of Northern Ireland, they were, and are not, interested in peace. If they had wanted peace, there would be peace, Bill Clinton or no, just as there would have been peace in Northern Ireland, with or without Bill Clinton.
It would be easy to dis Bill Clinton's moral authority over the sad Monica Lewinsky affair: I thought, and think, that the GOP should not have turned such a failing of the flesh into a political matter.
However, Mr. Clinton's geopolitical record aside from his intervention in Kosovo (and in that apparently admirable military intervention, he might have killed more people than he saved) is checkered at best. If his butcher's bill in Iraq for his sanctions is as bad as it seems, he is morally negligent at least, and at worst, well, the gentle reader has already filled in the blanks.
The DRUDGE REPORT quotes Mr. Clinton as saying in 2002, after his presidency was already receding into the fond memory of at least some Americans:
“The Israelis know that if the Iraqi or the Iranian army came across the Jordan River, I would personally grab a rifle, get in a ditch, and fight and die...”
Well, Saddam Hussein paid rewards to Palestinian suicide bombers who purposely killed Israeli women and children, with no military target in mind and not even the excuse of collateral damage. We chickenhawks never expected you to actually crawl into a ditch to defend Israel against Saddam's Iraq, Mr. Clinton, but we might expect you at least today to endorse the erasing somebody who encouraged and enabled the butchering of Israel's people.
Which you haven't. According to you, the timing of the Iraq invasion wasn't right. It was a "mistake." But I do not know when the timing is right to stand up against the murder of innocents. Now, might be the answer.
Sorry, Mr. Dean, and sorry for your PR for your party. Bill Clinton is indeed the best of your ilk in the past generation of world affairs you have to point to, but his actions unfortunately were at best morally neutral, which is pretty much as high as you guys aim, and you confuse with moral authority.
To preserve civilization, to beat back entropy and chaos, if not genuine evil, neutrality will not be sufficient. You actually think that diplomacy could have placated the implacable murderers of the Party of God?
Mr. Dean, give me a ring. I've got a reality-based community I wanna sell you.
This is the result of my allowing myself to be lured once again into retail politics. I have accepted the position of Campaign Manager for Jay Beskin, a candidate for County Commissioner in Miami-Dade County, District 4. There are thirteen commissioners and a mayor whose executive power is exceedingly thin. These folks control the disbursement of an annual budget of 7 billion dollars, larger than 11 States of the Union.
The race is non-partisan, both being Democrats. It also turns out to be non-ethnic in this instance, both being Jews. The issues are multifarious and quite interesting, though largely local in hue.
A story that everyone can understand is the one I have dubbed (playing off the Bridge to Nowhere story in Alaska) the Train to Nowhere. The county decided to run a train in Miami Airport to speed folks from one terminal to another. They promptly shelled out the cash for the train to a company in Japan, but - oops! - the track won't be ready for years.
"Come to find out," as we say down here, trains cannot just sit in warehouses. They rust and become unusable unless taken for periodic rides.
So it is that Miami-Dade County pays $54,000 a month to a company in Japan to take the train on rides around and around the track. They signed a two-year contract, since no one projects completion of the track before that time.
Choo choo! Ka-ching ka-ching!
The election, as you may have divined, will be September 5th. Wish me luck. Unseating an incumbent is no mean task.
Salvo Magazine is the latest effort by the publishers of Touchstone. Salvo has an intellectual edge, like Touchstone, but is not devotional or necessarily religious at all. It is, however, a wickedly funny indictment of culture with some insightful articles along the way.
I’m telling everyone I can about the magazine because it has exceeded all my expectations. I wrote an article for it and promptly forgot about the project thinking it would be just another throwaway magazine, but Salvo is gorgeously rendered and makes the articles pop right out of the page.
You have to buy the mag or subscribe for four quarterly issues to see it, but I can assure you that the fake ads are worth the price of admission alone. Bobby Maddex has really accomplished something as editor of this magazine and I encourage everyone who wants to see more of these efforts to support it by subscribing for the first year.
Conclusion: I think we have to seriously consider supporting this guy for the White House in 2008. He is probably the best of the best. Of course, supporting Newt would be uncomfortable for conservatives because he has clearly had sexual indiscretions and we don’t like those. I think if he can successfully deal with that issue via candor and repentance, then we may have something with Mr. Gingrich.
Friday, July 14, 2006
You might have noticed that there's been a recent flare-up of violence on and from the borders of the state of Israel. I've noted many of you voicing some concern. Good on ya, mates.
Now, it's become a matter of faith among you that Bush Lies. I would not presume to interfere with anyone's faith. However, there's a whole non-governmental world of information out there for the serious consumer of democracy.
Looking for it is every citizen's duty, not to mention every congressmember's. If you don't, then shut up, and for godsakes, don't vote.
And if the Democratic Party can actually separate itself from the world left, which is entirely hostile to Israel and unwilling to face up to Islamism, then I could actually vote Democrat sometime soon.
But the left, and the (D) party itself, has been MIA in world affairs since Lyndon Johnson concocted that whole Vietnam thing. They have freed not a single soul from murder and tyranny, with the exception of Bill Clinton going into Kosovo (which was a cool thing, and done without the approval of that friend-of-tyrants the UN, I might add). Meanwhile, since Vietnam, it's been the (formerly isolationist) American right, aided by the alternately conservative and center-left UK and several other cool countries, that has been instrumental in freeing tens if not hundreds of millions.
My Dear (D)'s:
Are you leftists or are you members of the Democratic Party of Woodrow Wilson, Frankin Roosevelt, Harry Truman and Jack Kennedy? Because I honestly don't know anymore.
The left sat out the last quarter of the 20th century in the fight against tyranny and was always pretty useless except for helping to install collectivist tyrannies over autocratic ones. But before that, the Democratic Party of these here United States was freedom's fiercest warrior. I think what Peter Beinart's been trying to say is that the Democratic Party could lead the entire world against tyranny and murder, as it proudly did once, because the world left would lose its ideological and partisan excuses for its own impotence.
But first you gotta get real. 9-11 was in 2001. None of this is about Bush or even Iraq. It's not even about Israel. The Sudanese genocide is Islamicist-based. The largest non-Western democracy in the world is India, and they suffer deeply at its hands as well, as y'all might have noticed the other day. And the Norks are a threat to world peace only as far as they help these guys.
Ignore what the Bushies say. Read up on your own. Pick up a Qur'an. Find out who Sayyid Qutb was. Find the backstory on the siege of Vienna. Join the real reality-based community. I'm starting to think Beinart's right, and it's why I object to the prevailing argument that all the left has the power to do is whine about Gitmo and the privacy rights of phone calls. Not that we don't need moral watchdogs, but what I'm hoping is that the claims are true that the Democratic Party (and liberalism) are not synonymous with "the left," which is by its own account capable only of protest, not action.
Until you advocate some action, any action, to liberate human beings from murder and tyranny, I must continue to vote for the other side. But it could be Beinart's right and that y'all are the only ones who can do what needs to be done, if only with well-chosen, sincere, and passionate words. The world, mankind, and civilization need you right now, today. There are millions of lives at stake here, and you can be the difference. You are called now not to "goodness," but greatness.
If you accept that call, I will vote for you. Promise.
Despite my ideological agreement with what they were saying, I was a little disturbed by the exceedingly frank tone of their conversation. The talk got fairly graphic at a few points, which doesn't bother me too much, but I kept wondering how some of the older folks felt about it. There was a time when you simply wouldn't have talked that way around strangers and I think it might be better to regress to that point.
Thursday, July 13, 2006
That raises the obvious question: Disproportionate to precisely what? If it is disproportion to the narrow acts themselves, taken out of the larger context, well, maybe and maybe not. But is the Israeli response disproportionate to the need for long-term deterrence of Arab terror? I think not; indeed, it is too mild by far, so far.
I won't bore you with countless examples, as anyone watching the film with any attention at all will ascertain many such, but I will observe that the central question of the film, "Does the world really need Superman?" is presented as a newspaper story, in a way quite deliberately reminiscent of the famous Time magazine "God Is Dead" cover story of the 1960s. Lois Lane, the jaded author of the Pulitzer-winning story titled "Does the world really need Superman?", talks to the hero about that very question, giving the answer she gave in the story, and interestingly phrasing it as, "The world doesn't need a savior."
In answer, Superman slowly ascends with her into the heavens and looks down on the world below, listening to the arguments, worries, and anguished cries of the multitudes of people below. (This moment gains further power from its resemblance to the scene in Bruce Almighty when Bruce hears millions of people's prayers simultaneously.) Superman looks at Lois and says, "You wrote that the world doesn't need a saviour, but every day I hear people crying for one."
Of course, the film is no allegory, and Superman is no precise Christ figure. He apparently has had an affair with Lois in the past and fathered a son with her, and he requires help from humans in order to avert his own death in the film. However, such differences are what make the Superman mythos more interesting and rich in its implications.
Wednesday, July 12, 2006
Tuesday, July 11, 2006
No matter how intensely you study a particular subject, if time goes by without regular review, it's easy for the details to slip from your memory. But teaching a course inherently requires regular review -- not just of your own scholarship on a given subject, but of everything else that is relevant to that subject. If you're going to stand in front of a group of people and explain a particular legal subject, you have to know the ins and outs of all the important cases/statutes/commentary. It's not enough to know this stuff "on paper" -- you have to know it stone cold, so that you can answer practically any question that students might throw your way.
What's more, you have to know the subject well enough to explain it to beginners. I think that this requires more in-depth knowledge than merely being able to converse with other "experts." When you're talking to beginners, you have to understand the topic well enough to boil it down to the basics. You can't get away with casually genuflecting in the direction of some abstraction on the assumption that everyone else will know what you're talking about.
I think there's something to this. At least for political theory (my field), the best scholars are those who can work their way through a problem and bring to bear a wide range of analytical tools and concepts. There's a place, of course, for the detailed study of what Locke thought about parental relationships, but if you're trying to think about how we ought to understand (and capture in law) such relationships, you're better off if you can draw from a wider range of thinkers and histories. Scholars who teach widely seem to me more likely to do that.
That said, it's still worth noting that when research universities have great teachers it's because they want to be great teachers, not because there's any particular incentive in that direction. For most, teaching is something they "get through" in order to do their "work" (i.e. research and writing). Most try to find ways to minimize the amount of work they have to do for the classes (Ever had a course where the students were doing presentations the last four weeks?) and the better scholars get rewarded by having to teach fewer classes. Until the incentives change, teaching will always be a sidelight, not the main event, at research schools.
Monday, July 10, 2006
Other than James Roday's lead character, Shawn, the characters are all obvious refugees from other mystery programs: the skeptical/worried sidekick, the tediously suspicious cops, the gruff police captain (female in this case, but predictably hard-edged), the snotty suspects, etc. Shawn's relationship with his ex-cop father (played well by Corbin Bernsen, though the actor is given very little to work with) is fairly interesting, but it is left largely undeveloped. Many things about the script seem rather undeveloped, alas.
The writers did take great pains to establish exactly how the protagonist came to have such great powers of observation. That, however, may actually be something of a mistake. Usually, we don't really care why the detective is so insightful; it is enough that he or she is a genius and that we get to go along for the ride. With Monk, of course, a good deal of the fun is in watching him flounder through life while blasting through puzzling mysteries, and we appreciate the ironic truth that the very thing that makes him a great detective makes him a very unhappy person. This gives the program an inherent tension and drama, to go along with the comedy it creates. Psych attempts to recreate this aspect of Monk, but there is a big difference: whereas one feels great sympathy for Monk because of his mental problems, Shawn's continual optimism and snarkiness in Psych tend to defeat any sympathy we may wish to feel for him due to his strained relationship with his father. We know that Shawn must crave a better relationship with his father, which could make for some good drama, and comedy as well, but Roday is rather too successful at hiding it under his character's Mr. Fun persona. Shawn's blithe surface appears too often to be what he is really about—and such superficiality in a character defeats audience identification and sympathy.
When Psych finally gets into the mystery story, the program becomes more interesting, but it spends too much time trying to emulate Monk's quirkiness. That's a pity because the concept—a detective who is so insightful that he has to pretend to be a psychic in order to keep police from thinking he has actually committed the crimes he is trying to solve—is perfectly brilliant and doesn't need any additional quirkiness. The program's creators should trust the concept and cut the nonsense.
Making things even more difficult for Psych is its seemingly advantageous position following Monk. The latter program's season premiere was as excellent as we might have expected it to be. The concept—an actor playing Adrian Monk in a movie follows the obsessive detective as he attempts to solve a mystery—is the kind of thing that can be disastrously cute, and the producers managed to avoid that and present a solid mystery with the show's usual level of engaging comedy and serious moments that we have come to expect from this impressively intelligent and consistent show.
Friday, July 07, 2006
There's no reason a police procedural or hardboiled story can't have a good puzzle, as the works of Cornell Woolrich and Fredric Brown make very clear in the hardboiled realm and which the Midsomer Murders and Dalziel and Pascoe series in both books and TV make abundantly clear. (Both of the latter are produced in Great Britain.) I, too, like to see TV moving away from what I called in my NR roundup of the last TV season shows about Saving the World, One Creepy-Looking Corpse at a Time. It has become a very tired genre, and the cop show will begin to fade away soon if the networks don't bring new life to it with an approach more sanguine and less sanguinary.
Following Monk tonight (at 10 EDT) is the premiere of a new mystery-comedy series, Psych. This one looks like it could be a real winner. James Roday (an actor who has appeared mostly in independent films and theater productions) plays Shawn Spencer, a brilliantly insightful young man from a long family line of detective police officers. Tragically, he's not a police officer himself, because he is too much of a free spirit to be able to hold a job. (Exactly the opposite of Adrian Monk, you see....) In order to save himself from prison, however, thanks to some clever plotting by the scriptwriters, Shawn is forced to pretend that he is a psychic, and that he gets his information about crimes from the Other World instead of from its real source, his "extraordinary powers of observation and deduction," as the show's website puts it. Think: Sherlock Holmes with a crazy sense of fun. In light of his success as a "psychic," Shawn opens his own detective agency with partner and comedy straight man Gus. As the program's website puts it, "He's putting his skills to good use." True to TV's formula for success, Psych sounds both similar enough and different enough from Monk to be a good concept, and the individuals involved in making the show have very good track records at this sort of thing, especially creator/writer/executive producer Steve Franks.
USA's previous attempt to follow Monk with an eccentric detective—a remake of the English series Touching Evil—failed, and in my view it happened mainly because the program's tone was inconsistent and largely too different from that of Monk. Like its BBC predecessor, Touching Evil dealt with extremely grim subject matter, but the producers tried to spice it up a bit by making the lead character a bit kooky and increasing the prominence of a bizarre subsidiary character whom they made more zany than in the British original. Although Jeffrey Donovan did an excellent job of portraying the lead character, Detective Dave Creegan, and Pruitt Taylor Vince was fascinating as Cyril, the attempt to make an extremely grim show more pleasant didn't work. It's as if they had tried to make Adrian Monk the central character in Criminal Minds. Better to try something else.
Psych looks like a better fit both in its central concept and as a companion program for Monk. If the values Psych upholds are as good as the show's description suggests, and if the stories are as strong as those of Monk—which is of course very difficult to achieve on a regular basis—this program could be very good indeed. I have . . . a feeling it will.
Thursday, July 06, 2006
Norks Murder Whales
Well, Head Nork Kim Jung-Il shot off a big missile and hit the ocean. And what lives in the ocean? Cuddly whales, that's what, even though whales are too big to cuddle with.
Since pro-cuddlycreature activists have sued the US Navy into stopping using sonar in military exercises, it's only a matter of time before they train their righteous indignation and (rare, safe and legal) guns on the Norks.
Y'know, I love "Norks." It's vaguely insulting but not racist. Rhymes with "dorks." Norks. Norks. I love it.
I've been pretty mellow about the Norks, those proud members of the Axis of Evilers, a designation they took as a compliment. They're China's fault in the first place, and they're Japan's worry along with the Sorks'. Let the "international community" straighten 'em out.
(Nah, "Sorks" doesn't work. They're alternately supportive and annoying, but I'm proud of what they've done with the freedom that 54,246 young Americans bought with their lives. These things do not come cheaply. I wish they did.
South Koreans, then. Someday soon I hope, without further bloodshed like with Germany, it'll be simply "Koreans." Y'all owe us one, guys.)
I've mostly been worried about the Norks proliferating their evil goods, WMDs, to other likeevilminded folks. But if this launch is any indication of the quality of Kim Jung-Il's workmanship, what could be better than this enemy of mankind and cetaceans alike ripping off fragheads to buy porno and cognac? Almost worth keeping him in power, almost.
Yearly Kos Astonishes
I was astonished, anyway. Caught the video on C-SPAN of the now-annual confab of all that is good and righteous on the internet, The Daily Kos, the mega-lefty mega-blog that has used its powers of persuasion to defeat a number of heretical Democrats (Joe Lieberman may be next), although so far no Republicans.
They have not yet solved the equation that "unity" movements tend toward cannibalism. When you've got the blood fever, why try to kill and eat someone who might fight back when so many compliant and tasty morsels are so close at hand?
Ann Coulter became an infotainment superstar by supplying an unfilled demand for rhetorical violence on the right: your favorite blog, The Reform Club, for instance, is the model of decorum. But The Daily Kos has to give it away because the vitriol supply on the left far exceeds demand. (They do pick up a few bucks as a clearing house for freebies: Plato's Retreat for Liberals.)
Kosdom claims its average age is 45, and the C-SPAN video confirms it: these folks are genuine Leftover Left, women with long gray hag hair and men looking like they need a good scrub. I mean there was a guy with a magic-markered sign on his T-shirt, something about Plame and Fitzgerald. Cute and maybe even fetching before age 30, not so cute for grownups. Man, I used to be so jealous of the left. They were soooooooo cool.
It's not that the right wing aren't dorks, because we are, present company excepted. But the left's berets and Sartre and cigarettes and Che Guevera and other assorted nonsenses were da bomb in the olden days. You could always use radical chic to get some. The proletariat, exploited masses, the human condition, death to imperialism. Wham, bam, thank you, Karl Marx. But now, all these witchy women and stinky bohemians can get is each other. It ain't pretty, people.
And what's the ridiculous without the sublime?
Activists Announce "Troops Home Fast"
That would be Iraq. A hunger strike, sort of, although I understand you can take turns. Skip a lunch, save a life. Ringleader Mother "I'd Rather Live Under Hugo Chavez than Bush" Sheehan is too easy pickin's, although she should try living under Chavez' pal Castro in Cuba, where every single day's a revolutionary fast. But she's being joined by Dick Gregory, who's obsessed with not eating food and weighs about 68 pounds. I mean, what? It's like Howard Stern, Masturbating For Peace.
Norks, Dorks & Cindys on today's menu. Pass. Think I'll join the fast. Or does anyone know where we can get a good whale sandwich?
Wednesday, July 05, 2006
Our program proved to be quite challenging for him because many of the core courses deal with American law and religion, something he hadn't understood at the outset. And there was another problem: he couldn't type. That was a significant problem when students crank out thousands upon thousands of typed words each semester.
He was low on money, had English as a second language, and missed his wife and several children back home. Yet, he fought and struggled. His love of knowledge and yes, of the Lord, gave him the strength to press onward.
Though the enterprise looked precarious at times Abraham never faltered. I'm proud to report that Abraham Mbachirin successfully defended his dissertation today. He returns to Nigeria to build that nation's institutions of higher education and to continue his role in the Presbyterian church.
Africa needs good men. Godspeed to Abraham Mbachirin. I pray he comes back to us someday as an official of the Nigerian government, more stable and successful than ever. I don't think Nigeria has ever had a Kuyper, but Dr. Mbachirin might just fill the bill.
Tuesday, July 04, 2006
The only thing that has changed since 1968 is my preferred refreshment. Back then it was black cherry Kool-Aid, now I tend more toward white sangria or Harp Lager. Oh, maybe the books have bigger words in them, and most of the authors weren't even born in 1968. But for endless porch summers I still choose the same kind of book I chose then: one that engages your brain more than your heart. Tear-jerkers are for the chair pulled up to the fireplace in the gloomy dusk of a December afternoon. Summer belongs to British timetable mysteries, playful fantasy, and marveling at clever wordplay.
I daresay anyone who's weathered public school, even the safer sorts you find in the rural townships of the Midwest, will understand how I found out so young that you couldn't really read until school was out. The kind of reading you do in school seems designed to cure you of longing for books. I was even disciplined once for taking a library book home. They had unaccountably allowed me to check out a story that was too interesting to stop reading when the school bus arrived. Unthinkable.
So here's what I've been reading on the porch.
I discovered Jonathan Lethem about six months ago, when my husband returned from a business trip with an airport bookshop copy of Motherless Brooklyn in his suitcase. Motherless Brookyln is itself a summer porch book, a murder mystery told in first person by a Tourettic orphan whose verbal and mental tics expand the English language like a helium balloon. In the pre-Thanksgiving gloom it might have made a less lasting impression on me had I not read it a couple of weeks before making my first visit to Brooklyn. In the company of my friend and life-long Brooklynite Brenda, I succumbed to the borough as one would to some only slightly painful, yet exotic, disease, and Lethem's place in my brain was cemented.
Now I know that the New York Times and the MacArthur Foundation discovered Lethem years ago, and I am very late to the Certified Genius bandwagon. I did not realize until Men and Cartoons that Lethem had, before becoming the poet of dysfunctional Brooklyn, written multiple volumes of weirdo West Coast cross-genre experimentalist fiction, most of which would probably sail right over my head. Never mind. The Fortress of Solitude is a perfect summer book: an evocation of three decades in which a white kid grows up in, leaves, and returns to the neighborhood that eventually becomes gentrified Boerum Hill but continues to haunt him as the rough and dangerous Gowanus of his boyhood. Its residual weirdness, including an unlikely superhero subplot, stands as a barrier to too-close personal engagement with the main characters, which qualifies it as a porch book. This is more than compensated for by Lethem's uncanny and unique use of language, memory hooks, and visual imagery.
What is it about the simultaneous appearance of fictional ideas? I can't tell you how many times I've picked up books from different authors, apparently unknown to each other, that introduce the same bizarre plot device. In the space of a week my sister sent me the first Fforde novel in the Thursday Next series, The Eyre Affair, and my youngest daughter acquired a copy of Cornelia Funke's Inkheart. Both novels, one written in English for adults and the other in German for children, describe a world where people can enter and leave books. I don't know if the problem is the writer or the translation into English, but Funke's leaden characters and inability to move a plot, despite an interesting hook, make Jasper Fforde look like Leo bleedin' Tolstoy. Considered without comparison to second-rate kid lit, Thursday Next is certainly no Anna Karenina, but she inhabits a world full of imaginative and amusing details, from a cloned pet dodo to riotous gangs of John Milton fanciers. So far the best of the series is the third, The Well of Lost Plots. But it won't make a lick of sense if you haven't read the first two, and they're like popsicles anyway, quickly consumed and leaving you hungry for more.
Most of Johnson's historical work I would not consider classic porch fare; it requires too much sustained attention. But I make an exception for Art: A New History. Mainly because it has many (although not enough) pretty pictures. But also because Johnson's art criticism is refreshingly straightforward, free of the usual incomprehensible pomo BS, and informed with enough knowledge of the historical and political context in which this art was created to make it real, if unconventional, art history.
Happy reading, all. Life, liberty, and the pursuit of paperbacks.
Monday, July 03, 2006
Mexico's conservative presidential candidate Felipe Calderon declared victory on Monday in a bitterly contested election result as official returns showed him ahead of his left-wing rival.
Calderon said his lead was now "irreversible" because he had an advantage of more than 400,000 votes over Andres Manuel Lopez Obrador, the leftist former mayor of Mexico City, with almost 95 percent of votes counted.
There are still a lof of ifs in the scenario. If Calderon's opponent, Andres Manuel Lopez Obrado of the Democratic Revolution Party, doesn't encourage his supporters to riot in the streets and hold the government by force (as is the current worry, according to the Reuters story and other reports), Calderon can take office. Then, if Calderon can mobilize legislative action on economic reforms, if the government can enforce the rule of law in local areas—something current President Vicente Fox had a good deal of trouble doing—and if Calderon's party can stick to their guns, then there is truly a chance finally for a long-needed liberalization of the Mexican economy and society.
Liberalizing reform in Mexico is a development all should welcome, excepting only those who wish to exploit people through the powers of a corrupt and oppressive government. NAFTA may well have laid the groundwork for this tidal change, but real reform cannot come until Mexicans decide to take that frightful step from being wards of the state toward being independent actors who can make their own way in the world. This election could be the first step toward Mexico becoming a truly prosperous nation of self-reliant people.
I believe that it will happen, though in fits and starts and against furious opposition.
Sunday, July 02, 2006
Saturday, July 01, 2006
Having seen what MSN came up with, I've got my own list to post.
10. Darkman -- One of the darkest and quirkiest superhero flicks ever. The main character has major problems with anger and anxiety. Even when he's kicking butt he's quite, shall we say, edgy. Occupies a unique spot in the genre.
9. The Shadow -- This isn't in anyone's list of favorites, but it scored with me. Alec Baldwin captures the old Radio Age Lamont Cranston quite well. I particularly enjoyed the way his face and personality changed when he inhabited the Shadow character. Very much a piece of pulp, but a satisfying one.
8. Batman Returns -- Keaton, Devito, and Michelle Pfeiffer. This film does a wonderful job of exploring the psyche of people who develop these wild meta-personalities with which to encounter a violent world. What keeps the film down is that Batman's ability to solve some problems is more magical than gritty.
7. Batman Begins -- Christian Bale was a brilliant choice to play a young Bruce Wayne. Still an American Psycho, but this time with a moral compass. Sending Bruce to the Orient to learn the ancient arts just as Lamont Cranston (the Shadow) did worked. The action almost didn't even need to return to Gotham to satisfy.
6. Batman -- The original Keaton vehicle was the most pleasant of surprises. After years of pure crapola from the superhero industry (save a couple of Superman movies a decade or so previous), Batman arrived to save the day. Things haven't been the same since. Jack Nicholson steals the show, but that's expected from The Joker.
5. Superman -- There was a reason people cared so much about what happened to Christopher Reeve. This film was it. During an era when superhero entertainment meant bad animation, or worse yet, terrible, terrible live-action, Reeve's Superman was a bolt from the blue. Beautifully filmed. I'll never forget the young Superman bounding across the plains or Reeve's success in portraying a hunky, yet truly nerdish Clark Kent. Margot Kidder was tops as Lois Lane, too. Not glamorous, but spunky and you can see why Superman is torn in his affections between Lois and the world.
4. Superman II -- Based on limits of technology, this one probably ranks as the greatest of all time because it worked without today's special effects. Combat, combat, combat tied in beautifully with a drama and a romantic backstory.
3. Spiderman II -- Successfully continued the Peter Parker hard luck story with amazing battle scenes with our hero and Doctor Octopus. Extremely enjoyable and guess what (Spoiler), Peter gets the girl. In fact, the girl next door.
2. Spiderman -- The origin story magnificently rendered. Superhero movies had already improved with the resurgence of Batman, but this was another level.
1. I know one of the three top spots will belong to the newest Spiderman movie, so here's a big vote of confidence.
5. Daredevil -- I didn't hate it the way so many reviewers did, but it failed to capture the feeling of the comic. I'm not sure it was a great idea to combine the origin story and famed Electra tragedy in one go-round either.
4. The Hulk -- This movie was going somewhere for the first hour, but it all fell to pieces. Try again.
3. All the X-Men films -- Really not bad, but far, far short of the original comics. I've gone to each with high expectations and have each time thought it was worth the money, but not amazing. The last one really screwed up by combining favorite bits and pieces from lots of different stories in one film. Hodge-podge can be fun, but it's no substitute for a little literary discipline.
2. Fantastic Four -- Not bad as entertainment, but again falling short of places where the comic has been. Reed Richards was definitely too young and Sue Storm was too much sex appeal and not enough maturity.
1. Superman III and IV plus whatever the heck the Clooney Batman was. 'Nuff said.
Friday, June 30, 2006
Seems Christianity's Big One/Three needs a retitling. Too, I dunno, biblical, I guess.
Well, a couple of their new really good ones are omitted here for lack of risibility, but here are my favorites from what they came up with:
• Sun, Light and Burning Ray
• Compassionate Mother, Beloved Child and Life-giving Womb
• Rainbow of Promise, Ark of Salvation and Dove of Peace
• Overflowing Font, Living Water, Flowing River
• Fire That Consumes, Sword That Divides, and Storm That Melts Mountains
Eh. Mankind has already tried the Sun God thing, and too much of Him gives you skin cancer. "Our Rainbow Who Art (Am, Is) Wherever" makes me want to fetch my Divine Coloring Book. With the recent floods in the northeast, overflow is counterintuitive: Dear Overflow, leave us alone, willya? And here in California, a Storm That Melts Mountains caused a landslide that almost took out my patio deck.
I don't think the Presbs go nearly far enough. Everybody sees God in his, her or its own way, so what we need here is some market research and narrowcasting to our core focus groups and potential customers.
--Solar, Wind, and Clean-Burning Hydrogen Power (Enviro-God)
--Crouching Tiger, Hidden Dragon, Holy Flamingo (Kung-Fu God)
--Owner, Driver, Pit Crew (NASCAR God)
--Apatosaurus, T. Rex and Archaeopteryx (Jurassic God)
--Pop, Snap & Crackle (Breakfast God)
--Tinker to Evers to Chance (Teamwork God)
--Townshend, Daltry, Entwistle (The Writer, The Song and The One Who Plays Bass God)
--Life, Liberty & The Pursuit of Happiness (Separation of Church and God God)
--Mother Sheehan, Brother Murtha, and BTW, What's in My Womb is None of Your Damn Business Anyway (Kos God)
Well, it's quite a fruitful vein. One Presbyter said you might as well call 'em Huey, Dewey and Louie, but I think he isn't quite down with the Spirit of the thing. The Deity Formerly Known as The Triune God has got to get into the 21st century.
I bet y'all have a topper, but in the meantime, for now I'll think of the Father, Son and Holy Ghost as:
Rock, Paper, Scissors. A Good God. A Great Game.
Wednesday, June 28, 2006
Having read my share of Superman comics through the years and having taken in many, many pop manifestations of the character, one thing is clear: Superman is not Nietzschean. Although he has all the power in the world, he has a prevailing morality that trumps his own power. A perfect example of the anti-Nietzschean aspect of the comic Superman is that he has virtually always refused to kill, even when a villain richly deserves it. He is also the type of fellow, who though often indestructible, has always been ready to sacrifice himself for his friends (and everybody else).
There are a couple of examples that go against the grain. For instance, in the lamentable Superman IV, our hero drops any pretense of respect for democracy and imposes his will on the globe when it comes to nuclear weapons. He simply throws them all into outer space. No word on whether he then intended to police every border where the Soviets might have had tanks ready to roll! I would argue this Superman is a version (a lefty-liberal Greenpeacey type) of the will-to-power superman, but he is an exception that virtually all fans would excise from the legend. Another example occurred in a graphic novel tracing out alternative worlds with a Superman. In one of the alternate planes, he sets himself up as a king. Pretty logical, eh? But again, this was the authors' funnin' around and not setting up a new idea of the hero.
In addition, I think the general thought is that Anscombe beating Lewis in debate represented some triumph of the non-Christian over the Christian. She was actually a serious Catholic who was later in life arrested for pro-life activities in England similar to what Operation Rescue did in the United States. More about her and a confirmation of Victor Reppert's report on Lewis's continued interest in apologetics here at First Things.
Tuesday, June 27, 2006
But numbers do not tell the whole story, nor do these numbers reveal very much about European attitudes. There are philosophic underpinngs that reveal more than any statistical analysis can provide.
The first of these is multi-culturalism, an attitude which suggests each culture should be treated on its own terms without regard to universal considerations. For example, female deformation in the form of cliterdectomy is not wrong; it is simply the manifestation of a different culture.
The second, and arguably the view that represents the most significant shift in European attitudes, is secular humanism, a turning away from the spiritual to the temporal. European churches are now ostensibly museums, not places of worship. The moral teachings of Christianity have been largely interred replaced by relativism or “new age” phenomenology, such as pantheistic environmentalism.
The third shift in attitude might be characterized as extreme liberalism. In this case the virtues of liberalism such as tolerance have been perverted into an unwillingness to discriminate. Right and wrong are seen as archaic concepts belonging to the ash heap of history. What counts is openness, a strange form of egalitarianism in which all opinions have equal value if rendered earnestly.
The fourth attitudinal consideration is transnationalism. A project to reduce or eliminate the national heritage of European states through continental harmonization has had the unintended effect of making citizens rudderless, of losing an identity and deracinating patriotism. Do the bureaucrats in Brussels represent the will of the European people? And can a continental parliament rely on consent of the governed or even care about those governed? Answers beg the questions.
Last is the loss of confidence. The retreat of apostolic teaching has resulted in an absence of authority. Catholicism is in retreat, not only as a religion but as a voice of moral conviction.
On the other side of the west European ledger is Islam, a fanatical faith with an obsessive desire for control and conversion. Using the freedoms conferred by western European states, Muslims employ strong conviction and physical intimidation to promote their faith. Their mosques are not merely centers for religious observance, but political centers for subversion. Any attempt to interfere with these activities is deemed an affront, a violation of liberal precepts.
As a consequence, the governments seem powerless, unable to interfere. Scholars are intimidated if they don’t share interfaith egalitarianism and religious figures dare not criticize, fearful of being charged with bigotry.
The march to dominance therefore appears inexorable unless the western European societies can regain their traditions and recapture the convictions that led to Christianity’s dominance in the first place. You cannot defeat an implacable adversary with verbal pabulum.
Western Europe needs to assert its traditions and liberties, but, more importantly, it should insist that its basic ideas are imbibed by all citizens. Isolated cultural pockets removed from the prevailing positions of the host societies will not do. Liberalism should ensure freedom, but not the freedom to destroy.
Moreover, western European governments should demand reciprocity with Muslim states. The freedom Muslims enjoy in Europe should not be a freedom denied to minority communities in Muslim states, which is presently the case throughout the Islamic world.
European Muslims sense that Europe is in a defensive mode as the present dominant attitudes suggest. Hence there is the leap for a final solution, caliphates throughout the continent. It is widely believed that the vacuum of a soulless Europe will be filled by an Islam of determined will and fanaticism.
There cannot be any doubt at this point what is at stake. The issue is one of civilizational survival. The antidote to the march of Islam is reChrististianizing Europe through a Great Awakening. Is there a contemporary Wilberforce eager to lead this struggle? Is history on the side of fanaticism? Can the war of ideas be engaged by series exemplars of Christian doctrine? And has attitudinal drift emasculated Western Europe from the brave and defiant heart that is needed?
Herbert London is president of Hudson Institute and professor emeritus of New York University. He is the author of Decade of Denial (Lanham, Maryland: Lexington Books, 2001). London maintains a website, www.herblondon.org.